I
recommend you to
read the first five
chapters from
I. to V.
under the section
CONSCIOUSNESS
& AWARENESS
in order to get
a better understanding
of the techniques I will
walk you through here.
For people who do
not believe in or experience what could be understood as
'god':
Replace the word 'god'
with 'consciousness' or
any other word that for you could describe a sense
of the mysterious.
"The most beautiful thing we can experience is the
mysterious. It is the source of all true art and all
science. He to whom this emotion is a stranger, who can no
longer pause to wonder and stand rapt in awe, is as good as
dead: his eyes are closed."
Albert Einstein.
Now let's shift
our attention to the medium in which this flowing, pixelated
energy occurs. What does the stage look like? What is the nature
of the dimensionality of this inner world—so familiar that we
overlook it?
The Inner Cathedral
With eyes closed and
immersed in these inner phenomenons, we find ourselves in what
could be described as a dark spatial void. I prefer to call it
our 'inner cathedral,' inspired by the sense of awe it instills
in me. As often mentioned on this site, the most marvelous
wonders often lie hidden behind the veil of the obvious. The manifestation of this inner
space is so straightforward that we don't realize how wondrous
this phenomenon truly is. Even more amazing is the fact that we
can actually experience this body-void multiple times and then
forget it the moment our "awareness camera" swings back to its
usual outward-facing mode.
It is exceptionally curious that we can host such a space within us and yet still
concern ourselves with mundane matters like mortgages.
Duality and Non-duality in a state of Super-position
The inner dark void does not behave like an ordinary
three-dimensional space.
I will explore its unique spatial characteristics based on
insights from a YouTube video, where former army pilot Tony
Woody recounts his profound and authentic near-death experience
during a plane crash:
Although
I have commented this video elsewhere on this site, I would like to
specifically address his description of an exploding Pepsi can
in front of him in this context. The description begins at the
5:00-minute mark. Below is a transcription:
" ... and moving forward at 150
plus miles an hour and it had to have gapped the front corner of
that fire truck that's how close we came to it as it's spinning
without hitting it and and I just there's a difference between I
think I'm going to die and I'm dead and I know it there's a big
difference in that and that's where I was at and so when I was
out of body about that time he went into reverse thrust and
because we're on asphalt it's not planes don't normally travel
on there's a lot of dust and debris out there and somewhere
from somewhere this pepsi can came up and shot across the
windshield from left to right it probably took milliseconds
right but It was slow motion. I'm seeing this thing
tumble pepsi. I could see pepsi. It's a pepsi can 12 ounces. I
could see that the fluid coming out of it - brown fluid and
then it atomized the fluid as it hit the air the wind that was
hitting it and the turbulence, and I started focusing on the
little bitty pieces of debris, and then all of a sudden I didn't
just have my outside perspective and the inside perspective. I
became the debris. I was where every tiny piece of debris was all
wrapping and rolling around each other, but I had a 360 degree
bubble vision view from every one of these millions of
perspectives at the tiniest piece of debris that was in the air
and I'm totally confused if you think it would be chaotic right
it was a bit confusing because I didn't understand what was
going on really but it was there was this uh this sublime
perfection going on everything was right where it was supposed
to be doing exactly what it was supposed to be doing exactly
when it was supposed to be doing it and everything was perfect.
I
had that I don't know how I knew that but I felt it it's more
like a feeling and an understanding and a knowing then but it
confused me at the same time."
- Tony Woody
Tony Woody's description reveals
an extraordinary shift in perception that transcends the
boundaries of ordinary experience. His account moves from a
moment of life-threatening danger into a deeply altered state of
consciousness that challenges the conventional understanding of
time, space, and identity. What begins as a hyper-focused
observation of a tumbling Pepsi can transforms into a profound
experience of unity, where the distinction between observer and
observed dissolves entirely.
The moment when he describes becoming the debris is a critical
turning point. He moves from perceiving the debris to embodying
it, experiencing reality from the perspective of countless
particles swirling in the air. This shift suggests a collapse of
the traditional subject-object dichotomy. The observer is no
longer separate from what is observed; instead, he becomes part
of the unfolding moment, experiencing it from multiple
simultaneous perspectives. This could be interpreted as an
experiential understanding of non-duality — a concept found in
many spiritual traditions where the self and the universe are
understood as one interconnected whole.
Woody’s description of “360-degree bubble vision” and the
ability to perceive from millions of viewpoints simultaneously
resonates with the idea of expanded consciousness. In this
state, spatial and temporal boundaries dissolve. He describes a
paradoxical sense of confusion alongside a profound recognition
of order: everything was "right where it was supposed to be,
doing exactly what it was supposed to be doing, exactly when it
was supposed to be doing it." This realization points to a
deeper, intuitive understanding of reality as inherently
structured and harmonious, even amidst apparent chaos.
Drawing from Woody's experience, we can explore the notion of
the “inner cathedral” — a metaphor for the sacred space within
consciousness where duality and non-duality coexist. In this
space, the observer and the observed merge, creating a
locationless location where awareness expands beyond traditional
boundaries. Woody's experience of becoming the debris embodies
this concept. He is simultaneously everywhere and nowhere,
perceiving reality from countless vantage points while being
fully immersed in the unfolding moment.
This experience also invites us to consider the fluidity of
identity. Woody's shift from being an individual observer to
becoming the debris challenges the fixed notion of self. In this
expanded state, identity is not confined to a single body or
perspective but flows through the entirety of the experience.
The “self” becomes the entire field of perception — an
interconnected web of particles, each carrying its own viewpoint
within the collective whole.
From a theoretical perspective, Woody’s account can be seen as
an experiential manifestation of superposition, a concept from
quantum physics. In superposition, a particle exists in multiple
states simultaneously until observed. Similarly, Woody
experiences reality from countless perspectives at once,
embodying a multiplicity of viewpoints without being confined to
a single, fixed identity.
In a state of heightened awareness during meditation, I now
dare to extend my hand through words to pose the question: What
are sensations of attention really like in themselves—before
thoughts have translated them into a language that our verbal
consciousness can understand? What are emotions like love or
anger, before they are named within our dual consciousness?
The Spheric
Eversion of the Spaceholer This spatiality is fluid, capable of expanding and
contracting like a balloon, from the infinitely large to the
infinitely small, and vice versa. Initially, we discover this
sanctuary within our body. However, often after reaching a
certain point of no return, the body finds itself as a minuscule
droplet within a vast universe cradled by super-awareness.
This next statement is crucial: as you approach the vertical
self-referential singularity, the space can expand to such an
extent that, as Meister Eckhart put it, the body is more within
the soul than the soul is within the body.
Picture this: I remember the first time I felt like I was truly
inhabiting my own body. But in a heartbeat, my entire perception
shifted, and my body became this tiny little speck in an endless
expanse of space. Suddenly, the feeling of being in a body
vanished altogether. It was like a tennis ball turning inside
out, an absolutely mind-bending realization that permanently
changed how I saw the world.
This incredible experience is what can happen happens when
short-distance senses, which occur within the realm of
awareness, merges and expands into the realm of self-referential consciousness. And when you finally reach the singularity, everything
- even light and sound - disappears into the void of pure,
unfathomable full nothingness.
God's exit is his entrance.
He broke in to let us out. Meister Eckhart
It's wild to think about, but it's
true: the way in leads out. This journey takes you from the
meditation lounge to a limitless
expanse beyond anything you could have ever imagined.
The miracle of the spheric eversion is a natural property of the
self feeding snake of Ourorobos. As there is an eternal beginning
in no beginning and an eternal end in no end, as there is
existence in no existence, there is inside in outside and
outside in inside. I have become the outside, and the outside
has become my inside.
This fascinating phenomenon is further explored in the chapter
on
Shared Fields of
Consciousness.
In the enveloping darkness, stars invisible in daylight suddenly
emerge, uncovering another layer of self-evident obscurity.
Within the dark cathedral of our inner night, we can newly
perceive the dormant states of our body.
The galactization of the inner Cathedral In a state of deep meditative attention, the sensations and
feelings you experience are all contained within an inner space.
Wihin this 'cathedral' various sensed phenomenons take place as
it was a traditional three dimemensional space. However, as our
your focus spirals inward, the dark space that hold these
phenomenons in an experimental field begins to morph in ways
that transcends the confines of logic.
As the inner space
becomes more conscious of the sensory phenomenons it also begins
to become conscious of itself. When the feelings inner
sensations grow more intense, so does the awareness of the container that holds
them. In the same moment it discovers itself it begins to morp
in ways that are impossible to understand unless one has
experienced it. Only a self-aware space will morph.
With warm regards,
Gunnar Mühlmann
gunnars@mail.com